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Paul stuart

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Kristine (2).jpg
  • ILCE-1
  • 50mm F1.4 DG HSM | Art 018
  • 50.0 mm
  • ƒ/2.2
  • 1/400 sec
  • ISO 200
kristine.jpg
  • ILCE-7RM3
  • FE 70-200mm F2.8 GM OSS
  • 195.0 mm
  • ƒ/2.8
  • 1/2500 sec
  • ISO 2500
Kristine_.jpg
  • ILCE-1
  • 50mm F1.4 DG HSM | Art 018
  • 50.0 mm
  • ƒ/2
  • 1/640 sec
  • ISO 100
Kristine_-2.jpg
  • ILCE-7RM3
  • FE 70-200mm F2.8 GM OSS
  • 200.0 mm
  • ƒ/2.8
  • 1/2500 sec
  • ISO 1250
Maria.jpg
  • ILCE-7RM3
  • FE 70-200mm F2.8 GM OSS
  • 200.0 mm
  • ƒ/2.8
  • 1/2500 sec
  • ISO 1000
Maria-2.jpg
  • ILCE-7RM3
  • FE 70-200mm F2.8 GM OSS
  • 140.0 mm
  • ƒ/2.8
  • 1/500 sec
  • ISO 100
Maryna Sedin-2.jpg
  • ILCE-1
  • 50mm F1.4 DG HSM | Art 018
  • 50.0 mm
  • ƒ/1.6
  • 1/3200 sec
  • ISO 100
Kate-2.jpg
  • ILCE-1
  • 50mm F1.4 DG HSM | Art 018
  • 50.0 mm
  • ƒ/1.8
  • 1/3200 sec
  • ISO 100
Kristine & Maryna.jpg
  • ILCE-1
  • 50mm F1.4 DG HSM | Art 018
  • 50.0 mm
  • ƒ/1.6
  • 1/1600 sec
  • ISO 100
 
Hi Paul nice shots, one or two a little soft(or so it seems on my PC)....any particular reason you used the 70-200 for the close portraits when using a 50 mm on other shots with wide area backgrounds....... interested to understand
 
wide aspect to include some of the gardens and scenery also for full bodied shots ,although i have both aspects with the models tight portraits and full body .
 

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