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That’s the era, also, wherein I received my first photography education. Then, we were told that we needed to “see” light. The only way to do that was to envision the tonality of a scene. (We also had to be able to give the correct exposure setting of a scene within 1 and 1-1/2stops)Even today I still evaluate a naturally lit scene before me in its tonal range although I rely on meters to set the camera. However, outputting a photograph in B&W — or in any other monochrome — only occurs to me as part of post processing. I have fully embraced the world of color.
That’s the era, also, wherein I received my first photography education. Then, we were told that we needed to “see” light. The only way to do that was to envision the tonality of a scene. (We also had to be able to give the correct exposure setting of a scene within 1 and 1-1/2stops)
Even today I still evaluate a naturally lit scene before me in its tonal range although I rely on meters to set the camera. However, outputting a photograph in B&W — or in any other monochrome — only occurs to me as part of post processing. I have fully embraced the world of color.
