Need help deciding

LexRoma

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Miguel Milanes
I need help deciding between the Sony A7C and the A6600. My two must haves: Good low light camera and with lenses a system that won’t weigh me down. I currently have an a6300 with a couple of lenses but I’m not happy with its low light capabilities. I’m more into stills than video. Both the 7c and the 6600 are similar in size and price. What other key factors should I consider to make an informed decision? I appreciate your thoughts.
 
I do believe the A7C is unarguably better in low light. If that is the top of your priorities for buying, then I think it's a no brainer. Also AF is an upgraded version of the A7III off the top of my head, which was obviously a brilliant system already.

Just a thought though, I've noticed the A7IV is going for really good prices recently. A7C's are are $2,600 in Australia, I seen a shop selling the A7IV for $3,100 yesterday...

All the A7 cameras are actually small cameras, so size should never be an issue I think, if that is a reason for the two cameras you mentioned too.

On another note, seeming that you already have a few APSC lenses, another (even larger cost) part of buying an A7 body is the fact you will also want to buy FE lenses to suit, and then the real party starts...
 
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Good low light or small lenses, you can choose one but not both. That's not to say you can't shoot low light with the 6600, or you can't find smaller lenses for full frame. Both are possible. It's unfortunate, but physics is getting in your way.

Here's a graph showing the DR range of all three cameras. You gain a bit with the 6600 of over the 6300 at ISO 100, but other than that they're very similar. With the A7C, you gain across the board.

Still, low light can be done with smaller sensors. I shot an entire series in two caves with a Micro-Four Thirds camera. It's about settings and exposure. Nonetheless, I made the switch to FF in December with the 7-IV and have been very happy. Yes, I went through lens size shock, but I've gotten used to it. There are smaller lenses you can get.

Screenshot 2022-09-10 190930.jpg
 
What other key factors should I consider to make an informed decision? I appreciate your thoughts.

On another note, seeming that you already have a few APSC lenses, another (even larger cost) part of buying an A7 body is the fact you will also want to buy FE lenses to suit, and then the real party starts...
The A7C has is a full frame sensor so in order to take advantage of that you will need full frame (FE) glass. So keep that in mind.

Out of interest, which lenses do you have? Maybe the answer is in better glass.
 
Hi Clint, nice collection of lenses there.

I should have arranged the quotes better. I was really directing that question to OP.
 
I do believe the A7C is unarguably better in low light. If that is the top of your priorities for buying, then I think it's a no brainer. Also AF is an upgraded version of the A7III off the top of my head, which was obviously a brilliant system already.

Just a thought though, I've noticed the A7IV is going for really good prices recently. A7C's are are $2,600 in Australia, I seen a shop selling the A7IV for $3,100 yesterday...

All the A7 cameras are actually small cameras, so size should never be an issue I think, if that is a reason for the two cameras you mentioned too.

On another note, seeming that you already have a few APSC lenses, another (even larger cost) part of buying an A7 body is the fact you will also want to buy FE lenses to suit, and then the real party starts...
Thank you Maskless Crusader, I very much appreciate your prompt response. I don’t really have many APSC lenses other than the kit lens for the 6300 and a sigma 30 mm. You have helped me steer my decision to the A7c. Yes I will have to buy full frame lenses but thats okay. My photographic interests are street, macro and birds and animals ( I live in Florida so I take trips to the Everglades). What would be the top lenses you would recommen?
 
Thank you Maskless Crusader, I very much appreciate your prompt response. I don’t really have many APSC lenses other than the kit lens for the 6300 and a sigma 30 mm. You have helped me steer my decision to the A7c. Yes I will have to buy full frame lenses but thats okay. My photographic interests are street, macro and birds and animals ( I live in Florida so I take trips to the Everglades). What would be the top lenses you would recommen?

You probably shoot similar style to me by the sound of it.

I started out with mostly zoom lenses, then decided I wanted to go to primes, then I ended up going back to zooms. I find that on cliffs, standing in a waterfall, riverside etc you more often than not can't walk forwards or backwards so the zooms are generally way better in my opinion, although I am very fond of my primes that I have but I use those for specific things. Keep in mind that I'm only talking about what feels best for me and I'm sure there are many people here who have a different opinion. Aperture wise, I'm happy with f2.8 lenses, that aperture is all I need so any lens I have which is bigger than that was not bought for that reason.

I'll list in order of what I think is important.
1. 24-70mm f2.8 zoom.
2. 16-35mm zoom.
3. Up to 600mm zoom.
4. 70-200mm zoom.
5. Macro lens.
6. 20mm or 24mm prime.

My actual lens suggestions:
1. Sigma DG DN Art or Sony GM II.
2. Sony GM or the new Sony f4 G.
3. Tamron 150-500mm or Sony 200-600mm.
4. Tamron 28-200mm or Tamron 70-180mm.
5. Sigma 105mm DG DN Macro or Sony 90mm Macro.
6. New Sigma 24mm DG DN or Sony 20mm G.

I think if you get all of these lens types in any of those models I've listed then you will have an extremely solid do it all kit. The 20mm or 24mm primes are absolutely fantastic for street photography, definitely a lovely little luxury to have if you can.

Hope this helps you out a bit mate. 🙂
 
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Thank you buddy for taking the time to provide such a comprehensive list of lenses. I know it’s just your opinion but it seems you know your stuff and have been in Photography for a while. There many different voices out there and I can go crazy entertaining so many different opinions. You said something important about zooms especially since when traveling I don’t want to take too many lenses on the road. I will consider a couple of primes, such as the Tamron 24mm and the Sigma 105mm for local use. Again, thank you for your time and sage advice.
 
My most used lens for my A7M4 is the Sony FE 20mm G lens. It performs like a G Master lens, without the G Master price.
 
When you say most used, do you mean that you mostly do street photography? thank you.
 
That was a tired me writing that out last night. I meant the 24mm Sigma DG DN prime lens. The new Sigma 20mm is too big so I think the Sony 20mm is the better option. And the new Sigma 24mm is smaller than the Sony 24mm, so I think it's the better option.

Keep in mind that I don't really do people portraits, so someone who does alot of that would obviously think that things like an 85mm or 135mm prime are essential.

That list I wrote is essential to me and I feel that I NEED every one of them, but no lens is specific to just one kind of image. A 20mm can be used for many things, but I just really like it on the street because it's pretty small and I can just stick the camera under my shirt when it's raining or what not, it also gives great wide perspectives but the size is number one to me on those occasions. My 85mm Sigma is also great on the street because of it's size, and that focal length forces me to try to take shots I usually wouldn't want to as my default ideology is wide.

The list I wrote there is if cost isn't really of too much concern. I can also write a budget list that will deliver the same results to 99% of people's eyes. 🙂
 
Hi buddy, yes I would appreciate a list of lenses so that I won’t have to sell my first born on EBay 😂
 
If you do sell the first born, start with a sign on the front lawn or something, as ebay stings you with their commission these days!

I'd probably approach a budget set-up a little differently though. Three lenses to do it all. Maybe something like a Sigma 16-28mm DG DN with the Tamron 28-200mm would be a good start, followed by the Tamron 150-500mm. Buy 72mm filters and a 67-72mm stepper ring so they fit both the small lenses. Unfortunately the big boy won't come cheap, that's just how it is.

If you wanted to cut it really tight, you could even get a Tamron 20mm or 24mm f2.8 prime and run the 28-200mm with that. US$300 I think, and some of the pictures on this site using those primes looked absolutely brilliant! On a budget, the 28-200mm Tamron is your baby though regardless, even not on a budget it still is, it isn't amazing at anything but it does most things very well and especially if you don't go absolutely nuts over bokeh quality then it will never disappoint you at all, not saying the bokeh isn't completely acceptable because it is, but it is the weakest point of that lens, although it does feel disrespectful to say it's a weakness because it still gets the job done.

I think if you get either of those combinations you will be a happy camper. If you get them at discounts too, you will be able to get most of your money back at some point if you decide to upgrade.
 
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I went for the 6600 because of weight and seeing the results my wife was getting with the 6400.

The real weight saving over full frame is not in the body but in the far lighter and more compact lenses.

As someone else has already commented though, the trade off is in low light performance.

Simply put, you can't have both. Sort of, if I'm out and about travelling, 2 small light lenses cover most of my needs. If however I specifically want better low light capabilities, I can take a lens along that will do the job. Over the weekend, I shot a small circus that visited our village. Lighting was abysmal, but the 70 - 200 f2.8 and aps-c 50 f1,8, combined with the 6600 did a fair job. These were all shot as jpegs at 10000 iso, unedited.

DSC08801.JPG
  • ILCE-6600
  • FE 70-200mm F2.8 GM OSS II
  • 90.0 mm
  • ƒ/2.8
  • 1/50 sec
  • ISO 10000
DSC09328.JPG
  • ILCE-6600
  • E 50mm F1.8 OSS
  • 50.0 mm
  • ƒ/1.8
  • 1/2000 sec
  • ISO 10000
DSC09790.JPG
  • ILCE-6600
  • E 50mm F1.8 OSS
  • 50.0 mm
  • ƒ/1.8
  • 1/800 sec
  • ISO 10000
DSC09807.JPG
  • ILCE-6600
  • FE 70-200mm F2.8 GM OSS II
  • 118.0 mm
  • ƒ/2.8
  • 1/400 sec
  • ISO 10000


At the moment I'm still debating the purchase of a full frame body with myself. That debates been going for a while though.
 
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When you say most used, do you mean that you mostly do street photography? thank you.
I have yet to do any Street Photography. This lens is versatile and can be used for many tasks.
 
I went for the 6600 because of weight and seeing the results my wife was getting with the 6400.

The real weight saving over full frame is not in the body but in the far lighter and more compact lenses.

As someone else has already commented though, the trade off is in low light performance.

Simply put, you can't have both. Sort of, if I'm out and about travelling, 2 small light lenses cover most of my needs. If however I specifically want better low light capabilities, I can take a lens along that will do the job. Over the weekend, I shot a small circus that visited our village. Lighting was abysmal, but the 70 - 200 f2.8 and aps-c 50 f1,8, combined with the 6600 did a fair job. These were all shot as jpegs at 10000 iso, unedited.

View attachment 25168View attachment 25169View attachment 25170View attachment 25171

At the moment I'm still debating the purchase of a full frame body with myself. That debates been going for a while though.
 
There are many, many lenses out that that match or exceed performance of the Sony versions for less money. One stellar example is the Tamron 17-28/2.8. It spanks the Sony 16-35/4 and hangs with the Sony 2.8 version is IQ, for $800 when it's on sale, which is usually. I shot the entire Detroit Autorama with that lens handheld and decided there's no need to 'upgrade'. If I had one wish it would be that it was a tad bit longer, but that's not a big deal.

DSC00581 by Shotglass Photo, on Flickr

DSC00740 by Shotglass Photo, on Flickr

DSC00752 by Shotglass Photo, on Flickr
 
Thank you Dave. Those are good results even in low light especially of the pretty lady. Like most things in life you can’t have everything, it’s either the home in the Canary Islands or the apartment in London, the Ferrari or the Maserati, unless I win the Lottery 😂. I’d say 90% of my photography is done during the day so getting a lightweight system should be my top consideration.
 
Thanks, those were made with the A7-IV. You can click on those images and it will take you to my Flickr page where you can see the EXIF and poke around to see more images if you want.

Another suggestion: The 24-70 is a primo lens, no doubt. But the 24-105/4 is an under-sung lens capable of excellent images for less money. It also has the added range which makes it an excellent walking around lens. These were made with an A7R-III:

DSC00165 by telecast, on Flickr

DSC02829 by Shotglass Photo, on Flickr

The Sigma 100-400 also offers excellent capability with almost enough $ left over to buy the A7C! Will it stand up to the $2500 Sony version? No, but it's darn close. It's a touch slower, I think about 1/3 of a stop at the short end and 2/3 at the long end, so that depends on use. In my case it's going to be outside with sunlight, and another half stop in ISO is no big deal.

This is with the Sigma 100-400 and the A7-IV:
DSC05528 by Shotglass Photo, on Flickr

Clearly everyone has their own preferences, Some want the brand, some are frugal, some like legacy glass, etc.. I always figure if I can get the IQ I want for less dollars I'm ahead of the game. Of the 6 E-Mount lenses I own only two are Sony. Others include the Samyang manual 14 which is untested, I just got it for my son to use on an A6000, but I'll check it eventually. The Samyang 35/1.4 which is an excellent lens, the aforementioned Tamron/Sony/Sigma, and the Sony 200-600.
 

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