The Best Lenses for the Sony A7 IV in 2023

If you are looking for the best lenses for the Sony a7 IV mirrorless camera in 2023 then look no further.

With over 200 E-mount lenses available from Sony and third parties like Tamron and Sigma, choosing a lens for your a7III can be quite the challenge!

To make life a little easier for you I’ve selected 11 of the best Sony E-mount lenses available today and summarised them in this article. I’ve included their pros and cons as well as links to in-depth reviews that are worth watching.

To view all of the Sony E-mount lenses available please visit my Complete List of Sony E-mount Lenses where you can also find the latest firmware version for each lens.

Compatible Lenses

The Sony a7IV has a 35mm full-frame sensor and features Sony’s E-mount.

It’s compatible with Sony E-mount Full-Frame lenses and also APS-C lenses when used in Super35 / APS-C mode.

Lenses from other manufactures such as Canon can also be used providing you use an appropriate lens adapter.

However, native Sony E-mount lenses will always offer the best autofocus performance compared to adapted lenses therefore I wouldn’t recommend an adapted lens if you enjoy shooing fast action sports of birds in flight.

The Best Lenses To Buy for the Sony A7 IV

Including third-party lenses there are over one hundred E-mount lenses on the market. This can make choosing the best lens for your needs quite challenging and headache inducing!

To help make your choice a little easier I’ve summarised 11 of the best lenses available today for the a7 IV. I’ve also included some third-party lenses that are definitely worth considering.

Please visit my Complete Sony E-Mount Lenses List if you want to see every single E-mount lenses available.

1. Sony FE 16-35mm F2.8 GM

On August 29th, 2023 Sony released a Mark II version of this lens. See my Sony FE 16-35 F2.8 GM vs GM II for further details.

You don’t need to look any further than the Sony FE 16-35mm f/2.8 GM if you’re searching for the ultimate wide-angle zoom lens for your a7 IV. This lens is perfect for various types of photography where a wider perspective is preferred, this includes: landscapes, astrophotography, real estate and architecture.

However, it’s definitely worth noting that this is not a lightweight lens and it weighs in at a substantial 680g. However, it does offer exceptional build quality and is constructed of 16 elements in 13 groups. It is also weather sealed, providing protection against dust and moisture.

With 11 circular aperture blades, this lens produces incredibly smooth bokeh and stunning sunstars. Autofocus is both fast and silent, and the sharpness it delivers is exceptional across the entire frame.

I’ve owned this lens myself in the past, but due to my growing family and limited time for landscape photography, I decided to sell it to contribute towards the purchase of the Sony a1.

Key Specs

Model Name:	SEL1635GM
Format:	35 mm full frame
Focal Length (mm):	16-35 mm
Angle of View (35 mm):	107°–63°
Maximum Aperture:	F2.8
Minimum Aperture:	F22
Lens Groups / Elements:	13–16
Aperture Blades:	11 circular
Minimum Focusing Distance:	0.92 ft (0.28 m)
Maximum Magnification Ratio:	0.19x
Lens Image Stabilization:	No
Filter Diameter:	82 mm
Diameter:	3-1/2″ / 88.5 mm
Length:	4-7/8″ / 121.6 mm
Weight:	24 oz (680 g)

Pros

• Fantastic sharpness across the frame
• Beautiful sunstars
• Very little coma and distortion
• Well controlled chromatic aberration

Cons

• Weight
• Price

What’s in the Box

• Sony FE 16-35mm F2.8 GM lens
• Hood (model): ALC-SH149
• Lens front cap: ALC-F82S
• Lens rear cap: ALC-R1EM
• Case

Review

To learn more about this lens you can read our review from Nick Hanson or alternatively watch this review from Nate in the Wild:

2. Sony FE 24mm F1.4 GM

With the Sony FE 24mm F1.4 GM lens Sony has demonstrated their ability to create a remarkable lens with exceptional optics in a compact form factor.

Constructed of 13 elements in 10 groups, this lens boasts outstanding build quality, as one would expect from a G Master (GM) labelled lens. Additionally, it is weather sealed to protect against dust and moisture. Despite its robust construction, it weighs a mere 15.7 oz (445 g), making it highly portable.

The lens is equipped with convenient features, including a customizable focus hold button, an AF on/off switch, an aperture selection ring, and a click on/off switch for the aperture ring, providing flexibility and ease of use for photographers and videographers.

The image quality of this lens is truly remarkable, maintaining exceptional sharpness throughout the frame even when used at its widest aperture of f/1.4. It boasts excellent control over distortion and coma, making it a superb choice for astrophotography.

The bokeh is incredibly smooth and is arguably the best among the current crop of 24mm lenses. Autofocus is not only fast and quiet, but also highly accurate, ensuring precise and reliable focusing.

With its versatile 24mm focal length, this lens is ideal for a wide range of subjects, including architecture, wedding and event photography, street photography, astrophotography, and even environmental portraits.

As an owner of this lens myself, I can personally attest to its exceptional performance and quality. It has become a cherished lens in my collection, and I have no intention of parting with it anytime soon.

Key Specs

Model Name:	SEL24F14GM
Format:	35 mm full frame
Focal Length (mm):	24 mm
Angle of View (35 mm):	84°
Maximum Aperture:	F1.4
Minimum Aperture:	F16
Lens Groups / Elements:	10-13
Aperture Blades:	11 circular
Minimum Focusing Distance:	0.79 ft (0.24 m)
Maximum Magnification Ratio:	0.17x
Lens Image Stabilization:	No
Filter Diameter:	67 mm
Diameter:	3″ / 75.4 mm
Length:	3 3/4″ / 92.4 mm
Weight:	15.7 oz (445 g)

Pros

• Very sharp across the frame wide open
• Beautiful bokeh
• Size & weight
• Aperture ring
• Fast autofocus

Cons

• Strong vignetting wide open
• Flare resistance

What’s in the Box

• Sony FE 24mm F1.4 GM lens
• Hood (model): ALC-SH154
• Lens front cap: ALC-F67S
• Lens rear cap: ALC-R1EM
• Case

Review

To learn more about the Sony FE 24mm F1.4 GM lens I’d recommending watching this excellent review from Christopher Frost.

And if you enjoy astrophotography then this review from Alyn Wallace is a must watch.

3. Sony FE 24-70mm F2.8 GM II

Thanks to it’s stunning optical quality the Sony FE 24-70mm F2.8 GM II really stands out among zoom lenses and it can comfortably compete with many top-tier prime lenses.

Constructed of 20 elements in 15 groups, this lens is not only well built but also weather sealed, ensuring durability and protection from the elements. The 11-bladed circular aperture helps to create lovely smooth bokeh that adds depth to your subjects.

Equipped with Sony’s original XD (extreme dynamic) Linear Motors, this lens achieves exceptional autofocus precision and approximately 2x improved tracking performance while zooming compared to its predecessor, the Mark I lens. Additionally, the Mark II version is impressively lighter, weighing just 24.6 oz (695 g) and shedding 6.74 oz (191 g) compared to its predecessor.

The lens features several convenient controls on its body, including a customizable focus hold button, separate focus, zoom, and de-clickable aperture rings, an iris lock switch, AF/MF switch, and a zoom smoothness switch, allowing for versatile and precise adjustments.

Sharpness remains outstanding throughout the entire zoom range and at all apertures, while chromatic aberrations are well controlled.

From landscapes to weddings, sports, and portraits, this lens can handle a wide range of photography genres with ease.

While I don’t currently own this lens myself, if I won the lottery it would be a very fast purchase!

Key Specs

Model Name:	SEL2470GM2
Format:	35 mm full frame
Focal Length (mm):	24-70 mm
Angle of View (35 mm):	84°-34°
Maximum Aperture:	F2.8
Minimum Aperture:	F22
Lens Groups / Elements:	15-20
Aperture Blades:	11 circular
Minimum Focusing Distance:	0.21 ft. (W)-0.3 ft. (T) 0.69 m (W)-0.99 m (T)
Maximum Magnification Ratio:	0.32 x
Lens Image Stabilization:	No
Filter Diameter:	82
Diameter:	3-1/2″ / 87.8 mm
Length:	3-1/2″ / 119.9 mm
Weight:	24.6 oz (695 g)

Pros

• Size and weight
• Build quality and weather sealing
• Fantastic autofocus
• Excellent resolution and contrast throughout the zoom range
• Near perfect center and mid-frame sharpness

Cons

• Very expensive
• Some distortion and vignette

What’s in the Box

• Sony FE 24-70mm F2.8 GM II lens
• Lens hood: ALC-SH168
• Lens front cap: ALC-F82S
• Lens rear cap: ALC-R1EM Lens
• Case

Review

To learn more about this excellent lens I’d recommend watching this brilliant review from Dustin Abbott.

4. Sony FE 24-105mm F4 G OSS

The Sony FE 24-105mm f/4 G OSS lens is an incredibly versatile all-in-one lens that makes an ideal companion to the a7 IV.

This lens covers a very useful focal range and its versatility makes it an excellent choice for various photography genres, including travel, landscape, and events.

From 24mm to 105mm, this lens delivers impressive sharpness even when shooting wide open at the maximum aperture of f/4. If you’re interested in detailed MTF charts, then LensRentals.com provides some insightful information courtesy of Roger Cicala.

Constructed from 17 elements in 14 groups, this lens is built to a very high standard. The 9-bladed circular aperture helps to produce smooth, soft backgrounds that beautifully isolate your subjects.

On the body of the lens itself, you’ll find a customizable focus hold button, separate focus and zoom rings, an AF/MF switch, and a Steady Shot On/Off switch.

The autofocus is fast, accurate and practically silent. Additionally, the lens incorporates optical stabilization.

This is probably one of the best 24-105mm zoom lenses available today. It’s not presently in my gear bag but if I had the spare cash I wouldn’t hesitate to pick one up.

Key Specs

Model Name:	SEL24105G
Format:	35 mm full frame
Focal Length (mm):	24-105 mm
Angle of View (35 mm):	84°-23°
Maximum Aperture:	F4
Minimum Aperture:	F22
Lens Groups / Elements:	14-17
Aperture Blades:	9 circular
Minimum Focusing Distance:	1.25 ft (0.38 m)
Maximum Magnification Ratio:	0.31x
Lens Image Stabilization:	Yes
Filter Diameter:	77
Diameter:	3-3/8″ / 83.4 mm
Length:	4-1/2″ / 113.3 mm
Weight:	23.4 oz (663 g)

Pros

• Useful focal range
• Excellent sharpness across the frame
• Chromatic aberrations and flare well controlled
• Quiet and fast autofocus

Cons

• Expensive
• No zoom lock switch

What’s in the Box

• Sony FE 24-105mm F4 G OSS lens
• Lens hood: ALC-SH152
• Lens front cap: ALC-F77S
• Lens rear cap: ALC-R1EM
• Case

Review

To learn more about the Sony FE 24-105mm F4 G OSS lens I’d recommend this in-depth review by Dustin Abbott.

5. Tamron 28-75mm F2.8 Di III VXD G2

After the overwhelming success of their 28-75mm F2.8 Di III RXD lens, Tamron decided to introduce a Mark II version sooner than anyone expected.

Tamron has taken a unique approach by offering a 28-75mm focal length instead of the more common 24-70mm, possibly to differentiate themselves from Sony’s offerings.

Constructed from 17 elements in 5 groups and featuring a 9-bladed circular aperture, this lens maintains a high level of build quality and is also weather sealed, the price is very attractive too.

With a shared 67mm filter thread, this lens aligns with many other Tamron Sony E-mount lenses, allowing for cost-effective use of filters without the need for multiple sizes.

The optical performance of this lens is impressively strong throughout the entire zoom range, exhibiting excellent contrast and effective control over chromatic aberrations.

The VXD focus motor ensures both fast and quiet autofocus. However, it’s worth noting that like many Tamron lenses, this lens does not have built-in stabilization, relying instead on the camera’s IBIS (in-body stabilization). Fortunately, the Sony a7IV with its 5 stops of stabilization, can compensate for this.

For those seeking a more budget-friendly alternative to the very expensive Sony 24-70mm F2.8 GM II lens, the Tamron 28-75mm F2.8 Di III RXD Mark II is certainly worth considering.

It manages to combine affordability, performance, and a unique focal length, which helps to make it a very compelling option.

Key Specs

Model Name:	A063S
Format:	35 mm full frame
Focal Length (mm):	28-75 mm
Angle of View (35 mm):	75°23′-32°11′
Maximum Aperture:	F2.8
Minimum Aperture:	F22
Lens Groups / Elements:	5-17
Aperture Blades:	9 circular
Minimum Focusing Distance:	0.59 ft / 0.18 m (wide angle), 1.25 ft / 0.38 m (telephoto)
Maximum Magnification Ratio:	1:2.7 (Wide angle), 1:4,1 (Telephoto)
Lens Image Stabilization:	No
Filter Diameter:	67 mm
Diameter:	3.10″ / 78.8 mm
Length:	4.63″ / 117.6 mm
Weight:	19.05 oz (540 g)

Pros

• Very good build quality and handling
• Advanced weather sealing with 8 seal points
• Fast and quiet VXD focus motor
• Strong optical performance throughout zoom range
• Exceptional contrast
• Excellent control of chromatic aberrations
• Nice looking bokeh
• Price

Cons

• Limited 28mm wide-end
• A little color fringing

What’s in the Box

• Tamron 28-75mm F2.8 Di III VXD G2 lens
• Lens cap
• Lens hood

Review

To learn more about the Tamron 28-75mm F2.8 Di III VXD G2 lens I’d strongly recommend watching this review from Dustin Abbott.

6. Sony FE 90mm F2.8 Macro G OSS

The Sony FE 90mm f/2.8 Macro G OSS lens, despite its classification as a macro lens, proves to be a very versatile performer, excelling not only in close-up photography but also as an exceptional portrait lens. In fact, it is hailed as one of the sharpest lenses ever crafted by Sony.

DxOMark reviewed this lens and said that its outstanding. It also scored higher marks than both the Canon and Nikon equivalents.

For such an exceptional lens it is challenging to find some flaws, if I were to be extremely picky, then the autofocus performance could be faster, and the manual focus ring adjustments could offer a finer level precision.

Constructed from 15 elements in 11 groups and featuring a 9-bladed circular aperture, this is a very well built lens.

As a macro lens, it provides a magnification ratio of 1.0x and a minimum focusing distance of 0.92 ft (0.28 m). Additionally, it incorporates built-in optical stabilization for added image stabilization benefits.

When it comes to shooting portraits, this lens shines with its remarkable sharpness. However, it’s worth noting that due to its exceptional detail, it may not be the best choice if you prefer to soften or minimize imperfections such as spots, blemishes, or wrinkles on your subjects.

I hope my mom won’t mind me sharing this photo of her.

If you’re in search of a versatile lens that excels in both macro and portrait photography, the 90mm F2.8 Macro G OSS lens is the perfect choice.

I do own this lens myself and I would really struggle to find a reason to let it go.

Key Specs

Model Name:	SEL90M28G
Format:	35 mm full frame
Focal Length (mm):	90 mm
Angle of View (35 mm):	27°
Maximum Aperture:	F2.8
Minimum Aperture:	F22
Lens Groups / Elements:	11/15
Aperture Blades:	9 circular
Minimum Focusing Distance:	0.92 ft (0.28 m)
Maximum Magnification Ratio:	1.0x
Lens Image Stabilization:	Yes
Filter Diameter:	62 mm
Diameter:	3-1/8″ / 79mm
Length:	5-1/4″ / 130.5 mm
Weight:	21.3 oz (602 g)

Pros

• Incredible sharpness at all apertures
• Excellent color rendition
• Chromatic aberrations are well controlled
• very well built
• Price

Cons

• Autofocus isn’t the fastest
• Manual focus could allow for finer adjustments

What’s in the Box

• Sony FE 90mm F2.8 Macro G OSS lens
• Lens hood: ALC-SH138
• Lens front cap
• Lens rear cap
• Case

Review

If you’d like to learn more about the Sony FE 90mm F2.8 Macro G OSS lens then this review from Pav is well worth watching.

7. Sony FE 135mm F1.8 GM

Roger Cicala from LensRentals.com tested the Sony FE 135mm F1.8 GM lens and said: “This is the sharpest lens we’ve tested. Period. (At last count, that’s out of 300+ lenses tested.)

Roger isn’t the only person to praise this lens, many reviewers are saying that this is the sharpest lens that they have ever laid hands on as well.

Fortunately, the impressive qualities of this lens extend beyond sharpness, as it also boasts minimal chromatic aberration, very low distortion, and low vignetting.

The autofocus motors in this lens are remarkably fast, making it an excellent choice for sports, action, and portrait photographers alike.

Constructed from 13 elements in 10 groups and featuring an 11-bladed circular aperture, this lens is not only well-built but also weather sealed against the elements.

On the lens body, you’ll find a range of convenient controls, including a customizable focus hold button, separate focus and zoom rings, an aperture ring, an aperture click on/off switch, an AF/MF switch, and a focus limiter switch.

While it lacks built-in stabilization, the maximum aperture of F1.8 allows for faster shutter speeds, enabling you to freeze action without significantly increasing ISO levels.

If this is a focal range that you find yourself shooting at with your a7 IV, then it’s definitely worth taking a much closer look at this lens.

Key Specs

Model Name:	SEL135F18GM
Format:	35 mm full frame
Focal Length (mm):	135 mm
Angle of View (35 mm):	18°
Maximum Aperture:	F1.8
Minimum Aperture:	F22
Lens Groups / Elements:	10–13
Aperture Blades:	11 circular
Minimum Focusing Distance:	2.3 ft (0.7 m)
Maximum Magnification Ratio:	0.25x
Lens Image Stabilization:	No
Filter Diameter:	82 mm
Diameter:	3-5/8″ / 89.5 mm
Length:	5″ / 127 mm
Weight:	33.6 oz (950 g)

Pros

• Very high build quality
• Extremely fast and accurate autofocus
• Excellent sharpness and contrast across the frame
• Lovely bokeh and color rendition
• Weather sealing

Cons

• Pretty expensive
• Prone to flare in some situations

What’s in the Box

• Sony FE 135mm F1.8 GM lens
• Hood (model): ALC-SH156
• Lens front cap: ALC-F82S
• Lens rear cap: ALC-R1EM
• Case

Review

To learn more about the Sony FE 135mm F1.8 GM I’d recommend watching this review form Christopher Frost.

8. Sony FE 70-200mm F4 Macro G OSS Ⅱ

The Sony FE 70-200mm F4 Macro G OSS Ⅱ lens is the second generation of one of Sony’s earliest E-mount lenses first released in 2014.

Sony say that they have improved the AF by 20%. It’s also 15% lighter and 15% shorter that the Mark I. The 1.4x and 2x teleconverters are now also supported which were not supported with the Mark I lens.

Focus is powered by two independently moving focus groups driven by four XD ‘High thrust’ linear motors (two per group) which allow the lens to focus down to just 26 cm (10.2″).

A maximum magnification of 0.5x is the reason this lens has Macro in its name. Although not a true 1:1 macro lens if you attach the 2x teleconverter you will now have 1x magnification.

Focus breathing is minimal and this can also be reduced further by the breathing compensation function on compatible cameras like the A7IV.

The lens is composed of 19 elements in 13 groups, including one advanced aspherical element, three extra-low dispersion (to reduce chromatic aberration), one ED aspherical element and one conventional aspherical lens.

On the lens body you’ll find independent control rings for focus and zoom. There’s a full-time DMF on/off switch, a focus-range limiter, Mode 1, Mode 2, and Mode 3 optical image stabilisation, an AF/MF switch and a zoom lock.

Optically the lens delivers exceptional sharpness and contrast throughout the zoom range, low distortion and vignette and stunning bokeh.

I own both the Mark I and Mark II versions of this lens and hope to put together an in-depth comparison very soon. Until then you’ll just have to take my word that’s it’s definitely worth the upgrade!

Key Specs

Model Name:	SEL70200G2
Format:	35 mm full frame
Focal Length (mm):	70-200 mm
Angle of View (35 mm):	34°-12° 30′
Maximum Aperture:	F4
Minimum Aperture:	F22
Lens Groups / Elements:	13-19
Aperture Blades:	9 circular
Minimum Focusing Distance:	0.26-0.42 m(0.86-1.38 ft)
Maximum Magnification Ratio:	0.5x
Lens Image Stabilization:	Yes
Filter Diameter:	72 mm
Diameter:	3-1/4″ / 82.2 mm
Length:	5-7/8″ / 149 mm
Weight:	28.1 oz. / 794 g

Pros

• Small and compact
• Good build quality and weather sealing
• Very fast and quiet autofocus motors
• Compatible with Sony’s 1.4x and 2x teleconverters
• Exceptional resolution and contrast throughout the zoom range
• Lovely bokeh
• Low distortion and vignette
• Flare resistance
• Minimal focus breathing
• Removable tripod collar

Cons

• Pincushion distortion throughout the zoom range
• Tripod foot not Arca-compatible (like all of Sony’s lenses)
• External zoom but this does make it more travel and backpack friendly

What’s in the Box

• Sony FE 70-200mm F4 Macro G OSS Ⅱ lens
• Lens hood: ALC-SH176
• Lens front cap: ALC-F72S
• Lens rear cap: ALC-R1EM

Review

If you would like to learn more about the Sony FE 70-200mm F4 Macro G OSS Ⅱ lens then I’d highly recommend this excellent review from Dustin Abbott.

9. Sony FE 70-200mm F2.8 GM OSS II

The Sony FE 70-200mm F2.8 GM OSS Mark II lens represents a significant upgrade over its Mark I predecessor, delivering improvements both in optical performance and physical design.

Thankfully Sony has retained the internal zoom design but also reduced the weight by a remarkable 15.34 oz / 435 g, making it approximately 29% lighter than the Mark I.

Equipped with four of Sony’s original XD (extreme dynamic) Linear Motors, the autofocus speed is boosted by up to 4x compared to the previous model. When tracking subjects in motion, such as a short-distance runner, the Mark II lens improves tracking while zooming by approximately 30% compared to its predecessor.

The Mark II lens introduces new video features, including reduced focus breathing, focus shift compensation during zooming, and axis shift compensation during zooming.

The lens body is designed with convenient controls, such as independent rings for focus, zoom, and aperture, accompanied by a click on/off switch for the aperture ring and an iris lock. Other notable features include a full-time DMF (Direct Manual Focus) on/off switch, a focus-range limiter, optical image stabilization with Mode 1, Mode 2, and Mode 3 options, and an AF/MF switch.

Overall, the Sony FE 70-200mm F2.8 GM OSS Mark II lens presents significant improvements, making it a highly capable and versatile tool for photographers and videographers alike.

The optical performance of this lens is truly exceptional, offering outstanding sharpness and contrast across the entire zoom range.

It exhibits minimal distortion and vignetting. Additionally, the lens produces stunning bokeh, creating beautiful background blur that really helps to make your subjects pop.

This lens also supports Sony’s 1.4x and 2x teleconverters. If you’d like to see how well it performs with the 2x teleconverter attached then head over to my Sony 100-400 vs Sony 70-200 F2.8 GM II + 2x Comparison.

As an owner of both the Mark I and Mark II versions of this lens, I can attest that the Mark II is a substantial upgrade over its predecessor. It surpasses the Mark I in terms of performance and handling, although it should do because it costs a little bit more!

If you are looking for a 70-200mm zoom lens for your Sony a7IV then this is definitely the best choice right now, providing it doesn’t stretch your budget too much!

Key Specs

Model Name:	SEL70200GM2
Format:	35 mm full frame
Focal Length (mm):	70-200 mm
Angle of View (35 mm):	34°-12° 30′
Maximum Aperture:	F2.8
Minimum Aperture:	F22
Lens Groups / Elements:	14-17
Aperture Blades:	11 circular
Minimum Focusing Distance:	0.4 – 0.82 m (1.32 – 2.69 ft)
Maximum Magnification Ratio:	0.3 x
Lens Image Stabilization:	Yes
Filter Diameter:	77 mm
Diameter:	3-1/2″ / 88 mm
Length:	7-7/8″ / 200 mm
Weight:	1045 g (36.9 oz.) (Without tripod mount)

Pros

• 29% lighter than the MK 1 lens
• Great build quality and weather sealing
• Fantastic autofocus
• Compatible with Sony’s 1.4x and 2x teleconverters
• Exceptional resolution and contrast throughout the zoom range
• Lovely bokeh
• Low distortion and vignette
• Flare resistance

Cons

• Expensive
• Tripod foot not Arca-compatible

What’s in the Box

• Sony FE 70-200mm F2.8 GM OSS II lens
• Tripod collar Lens hood: ALC-SH167
• Lens front cap: ALC-F77S
• Lens rear cap: ALC-R1EM
• Lens case

Review

If you would like to learn more about the Sony FE 70-200mm F2.8 GM OSS II lens then I’d highly recommend this excellent review from Gerald Undone.

10. Tamron 70-180mm F2.8 Di III VC VXD G2

The Tamron 70-180mm F2.8 Di III VC VXD G2 lens is a great lower cost alternative to the Sony 70-200 F2.8 GM II lens.

Constructed of 20 elements in 15 groups and a 9 blade circular aperture, this lens is also weather sealed against dust and moisture.

It weighs just 30.16 oz (855 g) making it 6.70 oz / 190 g lighter than the Sony 70-200 F2.8 GM II lens.

A lot of these weight savings come down to the reduced telephoto end of 180mm compared to 200mm of the Sony lens.

The autofocus however is fast, accurate and quiet and the lens delivers very good sharpness across the frame.

On the lens body you’ll find a focus and zoom ring and a zoom lock switch. There’s also a custom button and switch that can be customized through Tamrons Lens Utility™ and the TAMRON Lens Utility Mobile™ apps.

The G2 version now features linear manual focus coupling as an option and is customizable through the apps.

The filter thread is 67 mm like many of Tamron’s E-mount lenses.

I’m also fortunate to own this G1 version of this lens that has performed exceptionally for its price. I’m not tempted to upgrade since I’m fortunate to own the Sony FE 70-200 F2.8 GM II but if I was purchasing the Tamron today the G2 would be a no brainer.

Key Specs

Model Name:	A065S
Format:	35 mm full frame
Focal Length (mm):	70-180 mm
Angle of View (35 mm):	34°21′-13°42′
Maximum Aperture:	F2.8
Minimum Aperture:	F22
Lens Groups / Elements:	15-20
Aperture Blades:	9 circular
Minimum Focusing Distance:	0.3m (WIDE), 0.85m (TELE)
Maximum Magnification Ratio:	1:2.6 (WIDE) , 1:4.7 (TELE)
Lens Image Stabilization:	Yes
Filter Diameter:	67 mm
Diameter:	3.27″ / 83 mm
Length:	6.16″ / 156.5 mm
Weight:	30.16 oz. / 855 g

Pros

• Small and light
• Weather sealed
• Fast and accurate autofocus
• Very good sharpness across the frame
• Good color rendition
• Good chromatic aberration control
• Good bokeh
• Excellent price

Cons

• 20mm shorter focal length than the Sony 70-200 lenses
• No teleconverter support

What’s in the Box

• Tamron 70-180mm F2.8 Di III VC VXD G2 Lens for Sony E
• Tamron SP Front Lens Cap (67mm)
• Rear Lens Cap
• Lens Hood

Review

To learn more about the Tamron 70-180mm F2.8 Di III VC VXD G2 lens this review from Dustin Abbott is worth watching.

11. Sony FE 200-600mm F5.6-6.3 G OSS

The Sony FE 200-600mm F5.6-6.3 G OSS lens is an exceptional lens for wildlife and sports photographers seeking a powerful telephoto lens.

With its versatile focal range of 200-600mm and a maximum aperture of f/6.3 at 600mm, this lens enables you to capture stunning close-up shots of wildlife. For those of you desiring even greater reach, the lens is compatible with both the 1.4x and 2.0x teleconverters.

Constructed of 24 elements in 17 groups, this lens measures 318mm in length and weighs 74.7 oz (2,115 g) without the tripod mount. It is weather sealed and also incorporates 3-mode image stabilization.

With its impressive reach and image quality, the Sony FE 200-600mm F5.6-6.3 G OSS lens is an invaluable tool for capturing wildlife and sports photos.

The Sony FE 200-600mm F5.6-6.3 G OSS lens features an internal zoom mechanism, contributing to better balance and handling compared to external zoom lenses like the Sony FE 100-400. Additionally, its short zoom throw allows for an effortless and fast transition from 200mm to 600mm focal lengths.

The lens body is equipped with essential controls, including a focus ring and a zoom ring. Other convenient features include a focus limiter switch, an AF/MF switch, a Steady Shot on/off switch, a mode 1/2/3 optical stabilization switch, and a customizable focus hold button.

The tripod foot is removable and therefore can be replaced with something more practical like the Kirk LP-68 (B&H Photo) that includes an arca-swiss plate.

At 600mm this lens is sharper than the Sony FE 100-400 + 1.4x teleconverter is at 560mm. At 400mm this lens is also a touch sharper than the 100-400 which considering it’s a G lens and not a GM lens is really quite outstanding.

If you’d like to find out how this lens stacks up against the Sony FE 100-400 GM lens then head over to my 200-600 vs 100-400 comparison.

Otherwise, if you are looking for the best 600mm zoom lens to mount to your a7IV, then look no further than the Sony FE 200-600mm F5.6-6.3 G OSS lens.

Key Specs

Model Name:	SEL200600G
Format:	35 mm full frame
Focal Length (mm):	200-600 mm
Angle of View (35 mm):	12°30’–4°10′
Maximum Aperture:	F5.6–6.3
Minimum Aperture:	F32–36
Lens Groups / Elements:	17–24
Aperture Blades:	11 circular
Minimum Focusing Distance:	7.88 ft (2.4 m)
Maximum Magnification Ratio:	0.2x
Lens Image Stabilization:	Yes (3 modes)
Filter Diameter:	95 mm
Diameter:	4.5″ / 114.3 mm
Length:	12.625″ / 320.67 mm
Weight:	74.7 oz (2,115 g)

Pros

• Fantastic build quality and weather sealing
• Excellent handling thanks to the internal zoom design
• Very fast and accurate autofocus
• Excellent image quality
• 1.4x and 2x teleconverter support

Cons

• Large and relatively heavy
• Small tripod foot that is not arca-swiss compatible
• Some chromatic aberration when shooting wide open

What’s in the Box

• Sony FE 200-600mm F5.6-6.3 G OSS lens
• Hood (model): ALC-SH157
• Lens front cap: ALC-F95S
• Lens rear cap: ALC-R1EM
• Tripod collar
• Soft case
• Lens strap

Review

If you would like to learn more about the Sony FE 200-600mm F5.6-6.3 G OSS lens lens then this excellent review by Olle Nilsson is worth taking the time to watch.

You might also enjoy my own video of this lens where I compare the 200-600 to the Sony 100-400 with the 1.4x teleconverter for birds in flight photography.

Complete List of Sony E-mount Lenses & Latest Firmware

Please visit my Sony E-Mount Lenses List for a complete list of Sony E-mount lenses including third-party lenses along with the latest firmware versions.

Sony A7 IV Guides & Resources

Sony Lens Abbreviations

Sony does like to make use of abbreviations, so here’s a quick guide to their lens abbreviations so that you are not left scratching your head.

SEL – Sony autofocus lenses designed for the Sony E-mount mirrorless camera system.

FE – “Full-frame E-mount” lenses designed for 35mm full-frame cameras like the Sony a7IV.

E – Lenses designed for Sony’s mirrorless cameras with APS-C sized sensors, like the Sony Alpha a6000, a6300, a6500.

G – “Gold” series, Sony’s line-up of high-grade lenses.

GM – “Gold Master” series, Sony’s line-up of ultra-high-grade lenses featuring the highest-quality materials.

ZA – ZA lenses are designed and manufactured by Sony in Japan, but only once the designs get approval by Carl Zeiss AG to meet their high quality standards.

OSS – Optical SteadyShot means that the lens has optical image stabilization built in to the lens body.

TC – Stands for Tele Converter and means that this particular lens is designed to increase the focal length (and reduce the maximum aperture) of a telephoto lenses.

STF – Smooth Transition Focus. Lenses that employ special APD lens groups that get thicker towards the edges and, because of that, reduce the amount of light passing through. These lenses are designed to deliver extremely smooth, silky out of focus bokeh.

Before You Go

I’d love to hear your thoughts about the lenses that I’ve covered here. Are you already shooting with any of these lenses attached to your a7IV? If you are, please drop a comment below.

Or if you have any questions about a specific lens, please also drop a comment down below and I’ll get back to you when I have a few seconds free.

Thanks for reading and please do consider joining our friendly Alpha Shooters Forum.