Sony A6400 vs A6700 – A Detailed Comparison

The Sony a6400 was announced on January 15th 2019 and basically replaced the Sony a6300.

Sitting between the a6100 and a6600, the a6400 turned out to be the most popular choice for photographers looking for an APS-C camera that didn’t break the bank.

The Sony A6400 Shooters Group that I run on Facebook is testament to this. At the time of publishing this article it has over 25k members and it is still growing strong, adding hundreds of new members each week.

On July 12th, 2023 the Sony Alpha a6700 was announced and although this camera is not intended as a direct replacement for the a6400, I hope some of you might still find this detailed comparison helpful.

Summary

The a6700 offers a lot for video shooters with 4K60p / 4K120p, In-body Stabilization and an excellent vari-angle LCD. Superior autofocus performance and subject tracking will also help you to track and capture more difficult subjects. On the other hand, the a6400 despite its age still provides excellent value for money.

Jumping from the a6400 to the a6600 was never a particularly big upgrade. You would really only benefit from the in-camera stabilization (if important to you) and the larger battery.

However, jumping from the a6400 to the a6700 offers some serious benefits and will most likely appeal to many a6400 shooters who are itching to upgrade.

If you have the money to spend on the a6700 then this would definitely be my recommendation. It’s a much better camera all-round than the a6400 which is now starting to show its age.

But if you have a tight budget then the a6400 still packs a serious punch and is capable of capturing some amazing images and movies.

Key Shared Features

Before we look at the differences, here’s a list of the key features that these two cameras share in common:

• Dust-and moisture-resistant magnesium-alloy body
• 14-bit RAW image files
• Single memory card slot
• 2.36 million dot EVF
• Max 11 FPS (Frames Per Second) drive speed
• 1/4000 to 30 sec mechanical shutter speed
• 5 axis in-body stabilization
• Micro HDMI port
• Microphone input (3.5mm)
• Stereo microphone and speaker
• USB charging

Key Spec Comparison

Here’s a quick look at how the key specifications stack up.

Specification	Sony A6400	Sony A6700
Sensor:	24.2 MP APS-C Exmor™ CMOS	26.0 MP APS-C Back-illuminated Exmor R CMOS
Processor:	BIONZ X	BIONZ XR
Stabilization (IBIS):	No	5-axis
Electronic Viewfinder (EVF):	2,359,296 dots	2 359 296 dots
Display (LCD):	921,600 dots adjustable up and down	1 036 800 dots vari-angle
ISO Sensitivity Stills:	ISO 100-32000 (expandable ISO 50 to 102400)	ISO 100 – 32000 (expandable to ISO 50 – 102400)
ISO Sensitivity Movies:	ISO 100-32000	ISO 100 – 32000
Movie Resolution Max:	4K30p	4k60p / 4k120p
Memory Cards:	Memory Stick PRO Duo, Memory Stick PRO-HG Duo, Memory Stick Micro (M2), SD memory card, SDHC memory card (UHS-I compliant), SDXC memory card (UHS-I compliant), microSD memory card, microSDHC memory card, microSDXC memory card	UHS-I/II SD cards
Shutter Speed Still Images:	1/4000 to 30 sec, Bulb	1/4000 to 30 sec, Bulb (1/8000 electronic).
Max Frames Per Second:	11 (mechanical shutter), 8 (electronic shutter).	11
Price (MRRP):	$898.00 / £899.00	$1,398.00 / £1,449.00
Price Check:	B&H Photo | Amazon	B&H Photo | Amazon

Key Differences

Now let’s take a much closer look at the key differences between these two APS-C cameras.

Sensor and Processor

The Sony a6400 features a 24.2 megapixel APS-C Exmor™ CMOS sensor. This utilizes thin copper wiring, enhanced circuit processing, and an enhanced front-end LSI to boost light-gathering abilities, reduce noise, and increase readout speeds.

The Sony BIONZ X image processing engine in the a6400 works together with the Exmor™ CMOS sensor to perform data processing that helps to enable lightning fast AF acquisition times. At 0.02 seconds the AF acquisition speed easily beats the 0.05 seconds of its predecessor the Sony a6300.

The Sony a6700 features a much newer 26.0 MP APS-C Back-illuminated Exmor R CMOS sensor. In fact, this is the same sensor than can be found in the Sony FX30.

The back-illuminated structure enhances light collection efficiency, expands circuitry scale, and with the help of a copper wiring layer that contributes to quicker data transfer, outputs data at a very high speed, while minimizing noise.

The a6700 also features a much newer BIONZ XR™ processor that delivers up to eight times more processing power than the BIONZ X found in the a6400.

ISO Sensitivity

The ISO sensitivity values are identical between the two cameras. But one would hope to see an improvement in low light image quality with the new BSI sensor and processor of the a6700.

	Sony A6400	Sony A6700
Normal ISO (Stills):	ISO 100-32000	ISO 100 – 32000
Expanded ISO (Stills):	ISO 50 to 102400	ISO 50 – 102400
Normal ISO (Movies):	ISO 100-32000	ISO 100 – 32000
Expanded ISO (Movies):	ISO 100-32000	ISO 100 – 32000

Still Image Recording Formats

The Sony a6400 supports JPEG and Compressed RAW (14-bit) file formats, it does not support uncompressed RAW or HEIF image file formats.

The Sony a6700 also supports JPEG and Compressed RAW but also gains support for Lossless Compressed RAW. There’s also a new light image quality selection that generates less data for JPEG and HEIF images.

The a6700 also includes the HEIF (High Efficiency Image File) format, the first time this file type has featured in an APS-C camera from Sony.

The a6700 also supports 14-bit RAW files when shooting with long exposure noise reduction and bulb mode, whereas the a6600 drops down to 12-bit when shooting in these modes.

Unfortunately neither camera supports uncompressed RAW files, these currently remain in the realm of the full-frame cameras.

Video

The a6400 supports 8bit (up to 100Mbps) 4K video recording up to 30p with full pixel readout and no pixel binning, this allows oversampling of around 2.4×2 the image information needed for 4K (QFHD: 3840 x 2160), equivalent to 6K resolution. It uses the MPEG-4 AVC/H.264 codec to compress the movie files but maintain the quality.

There is no 29 minute recording limit with the a6400, the maximum continuous recording time is approximately 13 hours. Although your battery will be dead or memory card full long before then.

Jason Vong demonstrates superbly what you can achieve when shooting 4K with the a6400 in the following video.

The a6700 being the much newer camera does offer some more impressive video features.

Firstly it can capture 4K (QFHD: 3840 x 2160) at up to 60p (50p) using Sony’s proprietary 6K oversampling technology, this results in only a small 1.04x crop. The camera also supports high-quality XAVC S-I (All-Intra) and XAVC HS formats with 10-bit 4:2:2 color sampling.

The a6700 also supports high frame rate recording at up to 120p for 4K QFHD (3840 x 2160) but this is with a 38% crop.

S&Q mode also enables recording of slow or quick motion sequences in camera with up to 240 FPS supported in Full HD.

The a6700 also includes Sony’s S-Cinetone picture profile as a preset.

The a6700 includes many more video specific features that you won’t find in the a6400, let’s take a closer look at these now.

Stills / Movies / S&Q Dial

The dedicated dial on the camera allows you to have 3 dedicated memories for still, movies and S&Q.

Focus Map

Focus Map lets you easily visualize depth of field when you’re shooting video. When in use, a focus (depth map) is overlaid on a display of the live view in real time, so you can easily see which areas are in or out of focus.

AF Assist

While shooting a movie with auto focus, you can change the subject in focus by operating the focus ring of the lens.

Real-time Tracking for Movies

AI-based Real-time Tracking provides a dramatic improvement in Real-time Tracking performance, automatically recognising, tracking, and focusing on the eyes of a specified subject. Tracking can also be initiated by touch.

Active Mode Enhanced Movie Image Stabilization

Active Mode provides additional image stabilization for handheld movie shooting. The a6700 has the ability to accurately measure camera shake which is then precisely compensated for optically. However, using this feature will result in a 1.13x crop.

Breathing Compensation

Breathing Compensation basically crops and resizes the video to cancel-out any change in a lens’s angle-of-view (AoV) as it focuses. In other words, there’s no distracting change of framing as you refocus.

However, this mode only works with select Sony lenses because the camera needs a profile of the breathing characteristics. You can find the full list of lenses that support this function on Sony’s website here.

Here’s a video from Sony to demonstrate Breathing Compensation on the a7IV.

Import User LUT files

See how your footage will look in post-processing while you’re shooting. The α6700 allows you to import a custom LUT (Look Up Table) that can be applied to the camera’s monitor image while recording, providing a preview.

Auto Framing

The Auto Framing function automatically crops and re-frames the image while using AI to track your subject.

In-camera Time-Lapse / Interval Shooting

The in-camera time-lapse function allows you to create time-lapse videos within the camera itself, with the a6400 this was only possible by using post editing software.

Stabilization

The a6400 does not feature Sony’s In-Body Stabilization (IBIS) but it does support E-mount lenses that have optical stabilization (OSS) built-in.

The a6700 does feature Sony’s In-Body Stabilization (IBIS). The 5-axis in-body optical image stabilization mechanism detects and compensates for camera shake along five different axes, including angular (pitch and yaw), horizontal, vertical and rotational, for stabilization equivalent to a 5-step faster shutter speed setting.

As mentioned previously, the a6700 also features Active Mode Enhanced Movie Image Stabilization which is not available on the a6400.

This applies a 1.13x crop to the footage and allows the camera to move the crop around, within the standard video regions, to correct for more dramatic motion than the sensor shift alone can provide.

The camera’s gyro data is saved into the video file so that you can apply more powerful digital correction (or less correction, less crop), in Sony’s Catalyst software.

Autofocus

The Sony a6400 features a Fast Hybrid AF system that combines phase-detection AF and contrast-detection AF to achieve a super-fast acquisition speed of just 0.02 seconds.

The a6700 is equipped with an AI processing unit that enhances its AF performance compared to the a6400, including much more accurate subject recognition and a wider range of subjects.

In addition to humans and animals that the a6400 is capable of tracking, the a6700 will recognize birds, insects, cars, trains and airplanes.

Heads and bodies are recognized in addition to eyes (Real-time Eye AF) for Human and Animal settings, and now for Birds as well. Animal recognition performance has been improved by 40% compared to the a6400.

Phase & Contrast Detection Points

The Sony a6400 features 425 phase and 425 contrast detection AF points that cover 84% of the image area.

The a6700 improves on this with up to 759 phase detection points, covering approximately 93% of the image area when shooting stills. For shooting movies this reduces to a maximum of 495 points.

Lowlight AF Performance

When focusing in low light the Sony a6700 has a one stop advantage over the a6400:

• A6400: EV-2 to EV20 (ISO100 equivalent with F2.0 lens attached)
• A6700: EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached)

Shutter

Both the A6400 and a6700 feature a Mechanical / Electronic shutter with a shutter speed of 1/4000 to 30s for stills and 1/4000 to 1/4 for movies.

However, the a6700 goes one step further and offers the advantage of capturing shots at an impressive speed of 1/8000 sec when utilizing the electronic shutter.

Additionally, the a6700 introduces support for Variable Shutter, allowing users to manually adjust the shutter speed and observe the effects of flickering on the camera’s monitor. This feature is available for both still photography and video recording.

Drive Speed & Buffer

If you enjoy shooing action, sports or birds in flight then you’d definitely want to take note of the drive speed (frames per second) along with the shot buffer.

Both the a6400 and a6700 support a maximum frame rate of 11 fps when shooting in Hi+ with their mechanical shutters, so no difference here. However, if you want to shoot silently with the electronic shutter then only the a6700 can maintain 11 fps, the a6400 drops down to 8 fps.

Buffer

There is a much larger difference between the two cameras when we compare the size of their image buffers, with the a6700 coming out on top.

	JPEG L Extra Fine	Compressed RAW	Lossless Compressed RAW	HEIF
A6400	99 Shots	46 Shots	–	–
A6700	143 Shots	59 Shots	23 Shots

Electronic Viewfinder and LCD Display

Both cameras feature an electronic viewfinder (EVF) as well as a touch friendly LCD display.

Electronic Viewfinder (EVF)

Looking at the specs the EVF appears to be similar between the two cameras, other than a slight difference in the eyepoint.

However, according to Sony the EVF of the a6700 has twice the brightness of the a6400 and a wider 33-degree viewing angle.

	Sony A6400	Sony a6700
EVF Type	1.0 cm (0.39 type) electronic viewfinder (color)	1.0 cm (0.39 type) electronic viewfinder (XGA OLED)
Field Coverage	100 %	100 %
EVF Resolution	2,359,296 dots	2,359,296 dots
EVF Magnification	Approx. 1.07x (35mm camera equivalent: Approx. 0.70x) with 50mm lens at infinity, -1m-1	Approx. 1.07x (35 mm camera equivalent: Approx. 0.70x) with 50 mm lens at infinity, -1 m-1
EVF Eyepoint	Approx. 0.91 inches (23 mm) from the eyepiece lens, 0.84 inches (21.4 mm) from the eyepiece frame at -3.28 feet (-1 m)-1 (CIPA standard)	Approx. 22 mm from the eyepiece lens, 19.4 mm from the eyepiece frame at -1 m-1 (CIPA standard)
Refresh Rate	NTSC mode: STD 60fps / HI 120fps, PAL mode: STD 50fps / HI 100fps	NTSC mode: STD 60fps / HI 120fps, PAL mode: STD 50fps / HI 100fps

LCD Display

The Sony a6400 will let you rotate the screen up 180° making it so much easier to frame yourself for selfies and vlogging.

This is great for Vlogging as demonstrated nicely by iJustine in the below video.

The Sony a6700 features an improved LCD design over the a6400. The resolution only sees a very modest increase to 1 036 800 dots, but the biggest change here is in its movement.

The LCD can be flipped out to the side and rotated approx. 270 °. Helping you to comfortably shoot from a variety of positions.

Improved Menu and Touch Control

The a6400 features an older and less intuitive menu design which is often complained about although personally I’ve never found it too difficult to navigate.

The a6700 benefits from the latest menu updates and touch functionality that have been incorporated into cameras like the a7IV and a7RV. These advancements in user interface and touch controls help to ensure a more intuitive and user-friendly experience.

You can easily activate key functions, such as selecting a focus point or subject to track, or triggering the shutter.

Swiping in from the left or right edge of the shooting display reveals touch icons that allow quick changes to the shooting mode and other settings.

The function (Fn) menu can also now be displayed by a simple swipe-up.

Camera Body & Controls

Both cameras share a similar body but they are not identical, with the a6700 offering some key control improvements over the a6400 as well as some extra weight and bulk.

The dimensions are as follows:

• A6400: W/H/D: Approx. 120.0 mm x 66.9 mm x 59.7 mm, (Approx. 14.3 oz / 403 g)
• A6700: W/H/D: 122.0 x 69.0 x 75.1 mm, (approx. 493 g / Approx. 1 lb 1.4 oz)

Sony A6400

Sony A6700

Most notable difference is that the a6700 has a front control wheel which is absent from the a6400. This makes the a6700 a lot more comfortable for shooters who switch between full-frame and APS-C bodies.

On the top of the a6700 you will find a dedicated movie record button and C2 (custom) button. The movie record button is located on the side of the a6400, this is the C1 button on the a6700.

There’s an extra dial on the a6700 below the main mode dial that allows you to have 3 dedicated memories for stills, movies and S&Q. This very useful feature is not available on the a7III and you are un able to set individual settings for movies and stills.

On the rear of the cameras the AF/MF switch on the a6400 is instead an AF-On button on the a6700.

Full-time DMF

Full-time DMF is only available on the a6700. This works when shooting stills with AF-C or AF-S autofocus. With DMF you can rotate the lens’s focus ring to switch to manual focus mode at any time, making switching focus on the fly super easy and fast. The a6400 does not support full-time DMF unless you have a lens that supports this feature.

Focus Bracketing

Focus bracketing is another new feature that you’ll find on the a6700 but not the a6400.

With focus bracketing the a6700 can automatically shoot up to 299 images with sequentially shifted focus points according to intervals and a sequence specified by you. Unfortunately there is no option to automatically combine images in-camera, this needs to be done in post.

This video from Mark Galer explains more about how focus bracketing works with the a7RV, but it’s very similar for the a6700.

Flicker Suppression

The a6700 provides options for flicker suppression from artificial lighting whether you’re shooting stills or movies. Simply select “Anti-flicker Shoot”, or use “Var. Shutter” to fine-tune shutter speeds to match flicker rates when filming.

Memory Cards

The a6400 feature a single memory card slot that supports Memory Stick PRO Duo, Memory Stick PRO-HG Duo, Memory Stick Micro (M2), SD memory card, SDHC memory card (UHS-I compliant), SDXC memory card (UHS-I compliant), microSD memory card, microSDHC memory card, and microSDXC memory cards (with an adapter).

The a6700 also includes a single memory card slot but this supports the much faster UHS-II SD cards along with UHS-I SD cards. The memory card slot is located on the side of the camera making is much more accessible from the shared battery port location of the a6400.

Load / Save Settings (CAMSET)

For this first time in the a6xxx Series you can now save/load camera settings to/from a memory card. You can save up to 10 settings per memory card. You can also load settings from another camera of the same model.

The a6400 offers a more basic option that allows you to save up to 4 (M1 through M4) to a memory card, then recall the settings using the mode dial.

Battery Life & USB Charging

The a6400 uses the smaller capacity Sony NP-FW50 rechargeable battery, whereas the a6700 uses the larger capacity Sony NP-FZ100 rechargeable battery.

Shooting stills the a6400 achieves approx. 360 shots (Viewfinder) and approx. 410 shots (LCD monitor) (CIPA standard) with a full battery. Shooting movies (actual) will get you approx. 70 min (Viewfinder) or approx. 75 min (LCD monitor) (CIPA standard).

Thanks to the larger capacity battery the a6700 can achieve approx. 550 shots (Viewfinder) and approx. 570 shots (LCD monitor) (CIPA standard). Shooting movies (actual) will get you approx. 95 min (Viewfinder) or approx. 100 min (LCD monitor) (CIPA standard).

The a6700 is equipped with USB PD (Power Delivery) support, enabling rapid battery charging directly within the camera. Compared to earlier models, this feature delivers 3 to 4 times more power, significantly reducing charging times. By connecting a USB charger or a USB PD-compatible power bank to the camera’s USB Type-C port, you can greatly extend your shooting sessions.

Live Streaming / Webcam

The Sony a6400 does not support live streaming in-camera but it can be used as a webcam when using Sony’s Imaging Edge Webcam software, the resolution is however limited to 1,024 × 576 pixels.

With the a6700 you just need to connect the camera to a computer or smartphone via USB, then select “Live Stream (USB Streaming)”.

The a6700 can also function as a 4K (2160p) webcam with advanced AF that makes online meetings and live streaming events even smoother.

Firmware Updates

Updating the a6400 firmware is only possible by connecting the camera to your computer via USB. For Mac OS users this has always been a nightmare since it triggers security flags and can be very difficult to install. For Windows users life is a little easier.

Thankfully the a6700 enables firmware updates via memory card which is a lot less painful. Most new cameras from Sony are now offering this option.

Connectivity

The a6400 supports 2.4 Ghz wireless connections and bluetooth. There’s a Multi/Micro Hi-Speed USB (USB 2.0) terminal and a HDMI micro connector. There’s also a 3.5 mm Stereo minijack for a microphone but no headphone jack.

The a6400 can be controlled remotely using the Imaging Edge Mobile App but functionality is limited. The Sony RMT-P1BT Bluetooth Remote (B&H Photo | Amazon) is also supported.

The a6700 supports Sony’s newer Creators App for remote control and file management.

The Sony RMT-P1BT Bluetooth Remote (B&H Photo | Amazon) is also supported by both cameras.

The a6400 features the previous-generation multi-interface shoe design, while the a6700 incorporates the latest Multi Interface (MI) Shoe. This updated shoe allows for cable-free connectivity, enabling direct transmission of digital audio signals without any loss in quality. Additionally, it provides power to connected devices, eliminating the need for separate microphone batteries.

The a6700 supports 2.4 Ghz / 5 Ghz wireless connections and bluetooth. However, whereas the a6400 supports USB 2.0 (480 Mb/s), the a6700 supports SuperSpeed USB 5 Gbps (USB 3.2) for even faster data transfer.

The a6700 also has a 3.5 mm Stereo minijack for a microphone and a 3.5mm stereo minijack for headphones along with the HDMI micro connector.

What’s in the Box

The box contents of each camera are very similar except the a6700 does not include the AC-UUD12 AC Adaptor or a Micro USB cable.

Sony A6400	Sony A6700
Sony a6400 body	Sony A6700 Body
Power cord	Rechargeable Battery NP-FZ100
Rechargeable Battery NP-FW50	Shoulder strap
AC Adaptor: AC-UUE12	Body cap
Shoulder strap	Accessory shoe cap
Body cap	Eyepiece cup
Accessory shoe cap
Eyepiece cup
Micro USB cable

Price

The A6700 costs around $500 more than the A6400. There are often price reductions so please check the latest prices with the links below.

The A6400 has an MRRP of: $898.00 / £899.00

The A6700 has an MRRP of: $1,398.00 / £1,449.00

Summary

The a6700 offers a lot for video shooters with 4K60p / 4K120p, In-body Stabilization and an excellent vari-angle LCD. Superior autofocus performance and subject tracking will also help you to track and capture more difficult subjects. On the other hand, the a6400 despite its age still provides excellent value for money.

Here are the key features from the A6700 that you won’t find on the A6400:

• 26 MP back-illuminated sensor
• BIONZ XR processor
• 4k60p / 4k120p
• S&Q 240 FPS in FHD
• 5 axis IBIS
• NP-FZ100 battery
• Active Mode enhanced movie image stabilization
• UHS-II SD card support
• Front dial
• USB 3.2 with Power Delivery
• 3 Memory Recalls + CAMSET
• Lossless RAW & HEIF file formats
• 14-bit RAW when shooting long exposure noise reduction and bulb
• 1/8000sec shutter speed (electronic)
• Anti-flicker shooting and variable shutter
• Import User LUT files
• 759 PDAF points
• Real-time tracking of animals, birds, insects, cars/trains, and airplanes
• In-camera time-lapse creation
• Auto framing
• Focus breathing
• Focus bracketing
• Focus map (movies)
• AF Assist
• Full-time DMF
• Touch shutter
• Bulb timer settings
• Firmware updates via memory card

Jumping from the a6400 to the a6600 was never a particularly big upgrade. You would really only benefit from the in-camera stabilization (if important to you) and the larger battery.

However, jumping from the a6400 to the a6700 offers some serious benefits and will most likely appeal to many a6400 shooters who are itching to upgrade.

But are we going to see a replacement for the a6400 anytime soon? I’ve not heard any rumors that a release is close but you can’t rule it out.

If you have the money to spend on the a6700 then this would definitely be my recommendation. It’s a much better camera all-round than the a6400 which is now starting to show its age.

But if you have a tight budget then the a6400 still packs a serious punch and is capable of capturing some amazing images and movies.

Please let me know in the comments below if you found this comparison helpful or if you have any questions.

Finally. Please don’t forget to take a look at our friendly Alpha Shooters Community Forum before you leave. Thank you!

Reviews

To learn more about these two cameras I’d recommend watching the following reviews from Gordon Laing.

https://youtu.be/JDPVrYNcTVs

Sony A6700 Guides & Resources

Sony A6400 Guides & Resources

Complete Specification Comparison

I don’t like to leave stones unturned so here’s the complete specification comparison between the two cameras.

Body

	Sony A6400	Sony A6700
Body Type	Mirrorless	Mirrorless
Body Material	Magnesium alloy	Magnesium alloy
Lens Mount	Sony E-mount	Sony E-mount
Lens Compatibility	Sony E-mount lenses	Sony E-mount lenses

Image Sensor

	Sony A6400	Sony A6700
Aspect Ratio	3:2	3:2
Number of Pixels (Effective)	Approx. 24.2 megapixels	Still images: Approx. 26.0 megapixels max.,Movies: Approx. 19.9 megapixels max.
Number of Pixels (Total)	Approx. 25.0 megapixels	Approx. 27.0 megapixels
Sensor Type	APS-C type (23.5 x 15.6mm), Exmor CMOS sensor	APS-C type (23.3 x 15.5 mm), Exmor R CMOS sensor, Back-illuminated
Anti-Dust System	Charge protection coating on optical filter and ultrasonic, vibration mechanism	Yes

Still Images

	Sony A6400	Sony A6700
Recording Format	JPEG (DCF Ver. 2.0, Exif Ver.2.31, MPF Baseline compliant), RAW (Sony ARW 2.3 format)	JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)
Image Size (Pixels) (3:2)	L: 6000 x 4000 (24M), M: 4240 x 2832 (12M), S: 3008 x 2000 (6.0M)	APS-C L: 6192 x 4128 (26 M), M: 4384 x 2920 (13 M), S: 3104 x 2064 (6.4 M)
Image Size (Pixels) (16:9)	L: 6000 x 3376 (20 M), M: 4240 x 2400 (10 M), S: 3008 x 1688 (5.1 M)
Image Size (Pixels) (1:1)	L: 4000 x 4000 (16 M), M: 2832 x 2832 (8.0 M), S: 2000 x 2000 (4.0 M)
Image Quality Modes	RAW, RAW & JPEG (Extra fine, Fine, Standard), JPEG (Extra fine, Fine, Standard)	RAW, JPEG, HEIF (4:2:0 / 4:2:2), RAW & JPEG, RAW & HEIF
Picture Effect	13 types: Posterization (Color), Posterization (B/W), Pop Color, Retro Photo, Partial Color (R/G/B/Y), High Contrast Monochrome, Toy Camera (Normal/Cool/Warm/Green/Magenta), Soft High-key, Soft Focus (High/Mid/Low), HDR Painting (High/Mid/Low), Rich-tone Monochrome, Miniature (Auto/Top/Middle (H)/Bottom/Right/Middle (V)/Left), Watercolor, Illustration (High/Mid/Low)
Creative Style	Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn leaves, Black & White, Sepia, Style Box (1-6), (Contrast (-3 to +3 steps), Saturation (-3 to +3 steps), Sharpness (-3 to +3 steps))
Dynamic Range Functions	Off, Dynamic Range Optimizer (Auto/Level (1-5)), Auto High Dynamic Range (Auto Exposure Difference, Exposure Difference Level (1-6 EV, 1.0 EV step))
Color Space	sRGB standard (with sYCC gamut) and Adobe RGB standard compatible with TRILUMINOS Color
14bit RAW	Yes	Yes
Uncompressed RAW	No	No

Movie Recording

	Sony A6400	Sony A6700
Recording Format	XAVC S: LPCM 2ch, AVCHD: Dolby® Digital (AC-3) 2ch, Dolby® Digital Stereo Creator
Video Compression	XAVC S: MPEG-4 AVC/H.264, AVCHD: MPEG-4 AVC/H.264	XAVC S: MPEG-4 AVC/H.264,XAVC HS: MPEG-H HEVC/H.265
Audio Recording Format	XAVC S: LPCM 2ch, AVCHD: Dolby Digital (AC-3) 2ch, Dolby Digital Stereo Creator	LPCM 2ch (48 kHz 16 bit)、LPCM 2ch (48 kHz 24 bit)2、LPCM 4ch (48 kHz 24 bit)2
Color Space	xvYCC standard (x.v.Color when connected via HDMI cable) compatible with TRILUMINOS Color
Picture Effect	Posterization (Color), Posterization (B/W), Pop Color, Retro Photo, Partial Color (R/G/B/Y), High Contrast Monochrome, Toy Camera(Normal/Cool/Warm/Green/Magenta), Soft High-key
Creative Style	Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn leaves, Black & White, Sepia, Style Box (1-6), (Contrast (-3 to +3 steps), Saturation (-3 to +3 steps), Sharpness (-3 to +3 steps))
Picture Profile	Yes (Off/PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset
Image Size (Pixels), NTSC	XAVC S 4K: 3840 x 2160 (30p, 100 M), 3840 x 2160 (24p, 100 M), 3840 x 2160 (30p, 60 M), 3840 x 2160 (24p, 60 M), XAVC S HD: 1920 x 1080 (120p, 100 M), 1920 x 1080 (120p, 60 M), 1920 x 1080 (60p, 50 M), 1920 x 1080 (30p, 50 M), 1920 x 1080 (24p, 50 M), 1920 x 1080 (60p, 25 M), 1920 x 1080 (30p, 16 M), AVCHD: 1920 x 1080 (60i, 24M, FX), 1920 x 1080 (60i, 17M, FH)
Image Size (Pixels), PAL	XAVC S 4K: 3840 x 2160 (25p, 100 M), 3840 x 2160 (25p, 60 M), XAVC S HD: 1920 x 1080 (100p, 100 M), 1920 x 1080 (100p, 60 M), 1920 x 1080 (50p, 50 M), 1920 x 1080 (25p, 50 M), 1920 x 1080 (50p, 25 M), 1920 x 1080 (25p, 16 M), AVCHD: 1920 x 1080 (50i, 24 M, FX), 1920 x 1080 (50i, 17 M, FH)
Movie Recording Format (XAVC HS 4K)		3840 x 2160 (4:2:0, 10bit) (Approx.):119.88p (200 Mbps),3840 x 2160 (4:2:0, 10bit) (Approx.):100p (200 Mbps),3840 x 2160 (4:2:0, 10bit) (Approx.):59.94p (150 Mbps / 75 Mbps / 45 Mbps),3840 x 2160 (4:2:0, 10bit) (Approx.):50p (150 Mbps / 75 Mbps / 45 Mbps),3840 x 2160 (4:2:0, 10bit) (Approx.):23.98p (100 Mbps / 50 Mbps / 30 Mbps),3840 x 2160 (4:2:2, 10bit) (Approx.):119.88p (280 Mbps),3840 x 2160 (4:2:2, 10bit) (Approx.):100p (280 Mbps),3840 x 2160 (4:2:2, 10bit) (Approx.):59.94p (200 Mbps / 100 Mbps),3840 x 2160 (4:2:2, 10bit) (Approx.):50p (200 Mbps / 100 Mbps),3840 x 2160 (4:2:2, 10bit) (Approx.):23.98p (100 Mbps / 50 Mbps)
Movie Recording Format (XAVC S 4K)		3840 x 2160 (4:2:0, 8bit) (Approx.):119.88p (200 Mbps),3840 x 2160 (4:2:0, 8bit) (Approx.):100p (200 Mbps),3840 x 2160 (4:2:0, 8bit) (Approx.):59.94p (150 Mbps),3840 x 2160 (4:2:0, 8bit) (Approx.):50p (150 Mbps),3840 x 2160 (4:2:0, 8bit) (Approx.):29.97p (100 Mbps / 60 Mbps),3840 x 2160 (4:2:0, 8bit) (Approx.):25p (100 Mbps / 60 Mbps),3840 x 2160 (4:2:0, 8bit) (Approx.):23.98p (100 Mbps / 60 Mbps),3840 x 2160 (4:2:2, 10bit) (Approx.):119.88p (280 Mbps),3840 x 2160 (4:2:2, 10bit) (Approx.):100p (280 Mbps),3840 x 2160 (4:2:2, 10bit) (Approx.):59.94p (200 Mbps),3840 x 2160 (4:2:2, 10bit) (Approx.):50p (200 Mbps),3840 x 2160 (4:2:2, 10bit) (Approx.):29.97p (140 Mbps),3840 x 2160 (4:2:2, 10bit) (Approx.):25p (140 Mbps),3840 x 2160 (4:2:2, 10bit) (Approx.):23.98p (100 Mbps)
Movie Recording Format (XAVC S HD)		1920 x 1080 (4:2:0, 8bit) (Approx.):119.88p (100 Mbps / 60 Mbps),1920 x 1080 (4:2:0, 8bit) (Approx.):100p (100 Mbps / 60 Mbps),1920 x 1080 (4:2:0, 8bit) (Approx.):59.94p (50 Mbps / 25 Mbps),1920 x 1080 (4:2:0, 8bit) (Approx.):50p (50 Mbps / 25 Mbps),1920 x 1080 (4:2:0, 8bit) (Approx.):29.97p (50 Mbps / 16 Mbps),1920 x 1080 (4:2:0, 8bit) (Approx.):25p (50 Mbps / 16 Mbps),1920 x 1080 (4:2:0, 8bit) (Approx.):23.98p (50 Mbps),1920 x 1080 (4:2:2, 10bit) (Approx.):59.94p (50 Mbps),1920 x 1080 (4:2:2, 10bit) (Approx.):50p (50 Mbps),1920 x 1080 (4:2:2, 10bit) (Approx.):29.97p (50 Mbps),1920 x 1080 (4:2:2, 10bit) (Approx.):25p (50 Mbps),1920 x 1080 (4:2:2, 10bit) (Approx.):23.98p (50 Mbps)
Movie Recording Format (XAVC S-I 4K)		3840 x 2160 (4:2:2, 10bit) (Approx.):59.94p (600 Mbps),3840 x 2160 (4:2:2, 10bit) (Approx.):50p (500 Mbps),3840 x 2160 (4:2:2, 10bit) (Approx.):29.97p (300 Mbps),3840 x 2160 (4:2:2, 10bit) (Approx.):25p (250 Mbps),3840 x 2160 (4:2:2, 10bit) (Approx.):23.98p (240 Mbps)
Movie Recording Format (XAVC S-I HD)		1920 x 1080 (4:2:2, 10bit) (Approx.):59.94p (222 Mbps),1920 x 1080 (4:2:2, 10bit) (Approx.):50p (185 Mbps),1920 x 1080 (4:2:2, 10bit) (Approx.):29.97p (111 Mbps),1920 x 1080 (4:2:2, 10bit) (Approx.):25p (93 Mbps),1920 x 1080 (4:2:2, 10bit) (Approx.):23.98p (89 Mbps)
Slow & quick motion (recording frame rate & image size)	NTSC mode: 1920 x 1080 (60p, 30p, 24p), PAL mode: 1920 x 1080 (50p, 25p)	3840 x 2160 (4:2:2, 10bit) (Approx.):59.94p (600 Mbps),3840 x 2160 (4:2:2, 10bit) (Approx.):50p (500 Mbps),3840 x 2160 (4:2:2, 10bit) (Approx.):29.97p (300 Mbps),3840 x 2160 (4:2:2, 10bit) (Approx.):25p (250 Mbps),3840 x 2160 (4:2:2, 10bit) (Approx.):23.98p (240 Mbps)
Slow & Quick Motion (Shooting Frame Rate)	NTSC mode: 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, PAL mode: 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps,	1920 x 1080 (4:2:2, 10bit) (Approx.):59.94p (222 Mbps),1920 x 1080 (4:2:2, 10bit) (Approx.):50p (185 Mbps),1920 x 1080 (4:2:2, 10bit) (Approx.):29.97p (111 Mbps),1920 x 1080 (4:2:2, 10bit) (Approx.):25p (93 Mbps),1920 x 1080 (4:2:2, 10bit) (Approx.):23.98p (89 Mbps)
Movie Functions	Audio Level Display, Audio Rec Level, PAL/NTSC Selector, Proxy Recording (1280 x 720 (Approx. 9 Mbps)), TC/UB (TC Preset/UB Preset/TC Format/TC Run/TC Make/UB Time Rec), Auto Slow Shutter, REC Control, Clean HDMI Info. (ON/OFF selectable), Gamma Disp. Assist	S&Q Mode, Proxy Recording, TC / UB
HDMI Output	3840 x 2160 (30p), 3840 x 2160 (25p), 3840 x 2160 (24p), 1920 x 1080 (60p), 1920 x 1080 (60i), 1920 x 1080 (50p), 1920 x 1080 (50i), 1920 x 1080 (24p), YCbCr 4:2:2 8 bit / RGB 8 bit

Recording System

	Sony A6400	Sony A6700
Location Information Link From Smartphone	Yes	Yes
Media	Memory Stick PRO Duo, Memory Stick PRO-HG Duo, Memory Stick Micro (M2), SD memory card, SDHC memory card (UHS-I compliant), SDXC memory card (UHS-I compliant), microSD memory card, microSDHC memory card, microSDXC memory card	UHS-I/II compliantSD cards
Memory Card Slot	Multi-slot reader for Memory Stick Duo™/SD memory card	Slot for SD (UHS-I/II compliant) memory card
Recording Mode on Two Memory Cards	–	–

Noise Reduction

	Sony A6400	Sony A6700
Noise reduction	Auto/ ISO 100 to 102400
Multi Frame NR	Long exposure NR: On/Off, available at shutter speeds longer than 1 sec., High ISO NR: Normal/Low/Off

White Balance

	Sony A6400	Sony A6700
White Balance Modes	Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent (Warm White / Cool White / Day White / Daylight) / Flash / Underwater / Color Temperature (2500 to 9900K) & color filter (G7 to M7 (57-step), A7 to B7 (29-step)) / Custom
Shutter AWB Lock	Yes (Shut. Halfway Down/ Cont. Shooting/ Off)
AWB micro adjustment	Yes (G7 to M7, 57-step)(A7 to B7, 29-step)
Priority set in AWB	Yes
Bracketing	3 frames, H/L selectable

Focus

	Sony A6400	Sony A6700
Focus Type	Fast Hybrid AF (phase-detection AF/contrast-detection AF)	Fast Hybrid AF (phase-detection AF / contrast-detection AF)
Focus Sensor	Exmor® CMOS sensor
Focus Point	425 points (phase-detection AF) / 425 points (contrast-detection AF)	Still images: Max. 759 points (phase-detection AF),Movies: Max. 495 points (phase-detection AF)
Focus Sensitivity Range	EV-2 to EV 20 (ISO 100 equivalent with F2.0 lens attached)	EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached)
Recognition Target (Still Images)	Human, Animal	Human, Animal, Bird, Insect, Car, Train, Airplane
Recognition Target (Movies)	Human	Human, Animal, Bird, Insect, Car, Train, Airplane
Focus Mode	AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus
Focus Area	Wide (425 points (phase-detection AF), 425 points (contrast-detection AF)) / Zone / Center / Flexible Spot (S/M/L) / Expanded Flexible Spot / Tracking ( Wide / Zone / Center / Flexible Spot (S/M/L) / Expanded Flexible Spot)
Eye-AF	Human / Animal	Human / Animal / Birds/ Insects
Other Features	Eye-start AF (only with LA-EA2 or LA-EA4 attached (Sold separately)), Object Tracking, Eye AF (Right/Left Eye Select), AF micro adjustment with LA-EA2 or LA-EA4 (Sold separately), Predictive control, Focus lock, Swt. V/H AF Area, AF Area Regist., Circ. of Focus Point	AF Track Sens. (Still),AF Subj. Shift Sensitivity (Movie),AF Transition Speed (Movie),Switch V/H AF Area,AF Area Regist.,Circ. of Focus Point,Focus Map (Movie),AF Assist (Movie)
AF Illuminator	Yes (with built-in LED type)	Yes (with Built-in LED type)
AF Illuminator Range	Approx. 0.3–approx. 3.0 m (with E PZ 16–50 mm F3.5–5.6 OSS lens attached)
Focus Type with LA-EA3 (sold separately)	Phase-detection

Exposure

	Sony A6400	Sony A6700
Metering Type	1200-zone evaluative metering	1200-zone evaluative metering
Metering Sensor	Exmor® CMOS sensor
Metering Sensitivity	EV-2 to EV20 (at ISO100 equivalent with F2.0 lens attached)	EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached)
Metering Mode	Multi-segment, Center-weighted, Spot, Spot Standard/Large, Entire Screen Avg., Highlight
Exposure Compensation	+/- 5.0 EV (1/3 EV, 1/2 EV steps selectable)	+/- 5.0 EV (1/3 EV, 1/2 EV steps selectable)
Exposure Bracketing	Bracket: Cont., Bracket: Single, 3/5/9 frames selectable. With 3 or 5 frames, in 1/3, 1/2, 2/3, 1.0, 2.0, or 3.0 EV increments, with 9 frames, in 1/3, 1/2, 2/3, or 1.0 EV increments.
AE Lock	Locked when shutter button is pressed halfway. Available with AE lock button. (On/Off/Auto)
Exposure Modes	AUTO (iAuto/Superior Auto), Programmed AE (P), Aperture priority (A), Shutter-speed priority (S), Manual (M), Movie (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M)), Slow & Quick Motion (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M)), Sweep Panorama, Scene Selection
ISO Sensitivity (Recommended Exposure Index)	Still images: ISO 100-32000 (ISO numbers up to ISO 102400 can be set as expanded ISO range.), AUTO (ISO 100-6400, selectable lower limit and upper limit), Movies: ISO 100-32000 equivalent, AUTO (ISO 100-6400, selectable lower limit and upper limit)	Still images: ISO 100 – 32000 (expandable to ISO 50 – 102400), AUTO (ISO 100 – 6400, selectable lower limit and upper limit),Movies: ISO 100 – 32000 equivalent, AUTO (ISO 100 – 6400, selectable lower limit and upper limit)
Anti Flicker Shooting	–	Yes
Scene Selection	Portrait, Sports Action, Macro, Landscape, Sunset, Night Scene, handheld Twilight, Night Portrait, Anti-Motion Blur

Viewfinder

	Sony A6400	Sony A6700
Viewfinder Type	1.0 cm (0.39 type) electronic viewfinder (color)	1.0 cm (0.39 type) electronic viewfinder (XGA OLED)
Number of Dots	2,359,296 dots	2 359 296 dots
Brightness Control	Auto/Manual (5 steps between -2 and +2)
Color Temperature Control	Manual (5 steps)
Field Coverage	100%
Magnification	Approx. 1.07x (35 mm camera equivalent: Approx. 0.70x) with 50 mm lens at infinity, -1m-1	Approx. 1.07x (35 mm camera equivalent: Approx. 0.70x) with 50 mm lens at infinity, -1 m-1
Dioptre Adjustment	-4.0-+3.0 m-1	-4.0 to +3.0 m-1
Eye Point	Approx. 0.91 inches (23 mm) from the eyepiece lens, 0.84 inches (21.4 mm) from the eyepiece frame at -3.28 feet (-1 m)-1 (CIPA standard)	Approx. 22 mm from the eyepiece lens, 19.4 mm from the eyepiece frame at -1 m-1 (CIPA standard)
Finder Frame Rate Selection	NTSC mode: STD 60fps / HI 120fps, PAL mode: STD 50fps / HI 100fps	NTSC mode: STD 60fps / HI 120fps, PAL mode: STD 50fps / HI 100fps
Display Contents	Graphic Display, Display All Info, No Display Info, Digital Level Gauge, Histogram

LCD Screen

	Sony A6400	Sony A6700
Monitor Type	2.95 in (3.0-type) wide type TFT	7.5 cm (3.0-type) type TFT
Number of Dots	921 600 dots	1 036 800 dots
Touch Panel	Yes	Yes
Brightness Control	Manual (5 steps between -2 and +2), Sunny Weather mode
Adjustable Angle	Up by approx. 180 degrees, Down by approx. 74 degrees	Opening Angle: Approx. 176 °, Rotation Angle: Approx. 270 °
Real-time Image Adjustment Display	On/Off
Quick Navi	Yes
Focus Magnifier	Yes Focus Magnifier (5.9x, 11.7x)
Zebra	Yes (selectable level + range or lower limit as custom setting)
Peaking MF	Yes (Level setting: High/Mid/Low/Off, Color: White/Red/Yellow/Blue)
Others	WhiteMagic, Grid Line (Rule of 3rds Grid/Square Grid/Diag. + Square Grid/Off), Movie Marker (Center/Aspect/Safety Zone/Guideframe)
Display Content	Graphic Display, Display All Info, No Disp. Info, Digital Level Gauge, Histogram, For viewfinder, Monitor Off

Other Features

	Sony A6400	Sony A6700
Clear Image Zoom	Still images: Approx. 2x, Movies: Approx. 1.5x (4K), Approx. 2x (HD)	Approx. 2x
Clear Image Zoom Movies		Approx. 1.5x (4K), Approx. 2x (HD)
Digital Zoom	Smart zoom (Still images): M: Approx. 1.4x, S: Approx. 2x, Digital zoom (Still images): L: Approx. 4x, M: Approx. 5.7x, S: Approx. 8x, Digital zoom (Movie): Approx. 4x
Face Detection	Modes: Face Priority in AF (On/Off), Face Priority in Multi Metering (On/Off), Regist. Faces Priority (On/Off), Face registration, Max. number of detectable: 8
Self-Portrait Self-Timer	Yes
Others	Interval Recording, Smile Shutter: Smile shutter (selectable from 3 steps), Touch Shutter, Touch Focus: Yes (Touch Focus/Touch Pad/Touch Tracking), ISO AUTO Min. SS, Bright Monitoring, Set File Name, Help guide, Area Setting, Shop Front Mode, Zoom Ring Rotate

Shutter

	Sony A6400	Sony A6700
Type	Electronically controlled, vertical-traverse, focal-plane type	Mechanical shutter / Electronic shutter
Shutter Speed	Still images: 1/4000 to 30 sec, Bulb, Movies: 1/4000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode)	Still images (Mechanical shutter): 1/4000 to 30 s, Bulb,Still images (Electronic shutter): 1/8000 to 30 s,Movies: 1/8000 to 1 s
Flash Sync. Speed	1/160 sec.	1/160 s
Electronic Front Curtain Shutter	Yes (ON/OFF)	Yes (ON/OFF)
Silent Shooting	Yes (ON/OFF)	Yes (ON/OFF)

Image Stabilization

	Sony A6400	Sony A6700
Type	No	Image sensor-shift mechanism with 5-axis compensation (compensation depends on lens specifications)
Compensation Effect	–	5.0 stops (based on CIPA standard. Pitch/yaw shake only. With FE 50mm F1.2 GM lens mounted. Long exposure NR off.)

Flash Control

	Sony A6400	Sony A6700
Control	Pre-flash TTL	Pre-flash TTL
Flash Compensation	+/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)	+/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)
Flash Bracketing	3/5/9 frames selectable. With 3 or 5 frames, in 1/3, 1/2, 2/3, 1.0, 2.0, 3.0 EV increments, with 9 frames, in 1/3, 1/2, 2/3, 1.0 EV increments.
Flash Modes	Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction (on/off selectable), Wireless control, Hi-speed sync
External Flash Compatibility	Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adapter for flash compatible with Auto-lock accessory shoe	Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe
FE Level Lock	Yes
Wireless Control	Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. /Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.)
Type	Built-in flash
Recycling Time	Approx. 4 sec
Guide No.	6 (in meters at ISO 100)
Flash Coverage	16 mm (focal-length printed on the lens body)

Drive

	Sony A6400	Sony A6700
Drive Modes	Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket
Continuous Drive Speeds (Approx. Max)	Continuous shooting: Hi+: 11 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps	Hi+: 11 fps
No. of Recordable Frames (Approx.)	JPEG Extra fine L: 99 frames, JPEG Fine L: 115 frames, JPEG Standard L: 116 frames, RAW: 46 frames, RAW & JPEG: 44 frames	JPEG Extra fine L: 143 frames,JPEG Fine L: over 1000 frames,JPEG Standard L: over 1000 frames,RAW: 59 frames,RAW & JPG: 44 frames,RAW (Lossless Compressed): 23 frames,RAW (Lossless Compressed) & JPEG: 18 frames
Self-Timer	10 sec delay/5 sec delay/2 sec delay/Continuous self-timer (3 frames after 10 sec delay/5 frames after 10 sec delay/3 frames after 5 sec delay/5 frames after 5 sec delay/3 frames after 2 sec delay/5 frames after 2 sec delay)/Bracketing self-timer (Off/2 sec delay/5 sec delay/10sec delay)

Playback

	Sony A6400	Sony A6700
Photo Capture	Yes	Yes
Modes	Single (with or without shooting information Y RGB histogram & highlight/shadow warning), 12/30-frame index view, Enlarged display mode (L: 16.7x, M: 11.8x, S: 8.3x, Panorama [Standard]: 19.2x, Panorama [Wide]: 29.1x), Auto Review (10/5/2 sec, Off), Image orientation (Auto/Manual/Off selectable), Slideshow, Panorama scrolling, Folder selection (Date/ Still/ AVCHD/XAVC S HD/XAVC S 4K), Forward/Rewind (movie), Delete, Protect, Rating, Disp Cont Shoot Grp	Enlarged display mode,Protect,Rating,Shot Mark (Movie),Divider Frame,Crop,Photo Capture

Accessibility

Sony A6400	Sony A6700
	Screen Reader,Focus Magnifier,Focus Map (Movie),Peaking Display,Subject Recognition in AF,Touch Focus,Touch Tracking,Touch Shutter,Touch AE,Vari-angle LCD screen,Custom function

Interface

	Sony A6400	Sony A6700
PC Interface	Mass-storage, MTP, PC remote	Mass Storage / MTP
Multi / Micro USB Terminal	Yes	Yes (SuperSpeed USB 5 Gbps (USB 3.2) compatible)
NFC	Yes (NFC forum Type 3 Tag compatible),One-touch remote, One-touch sharing	–
Wireless LAN (Built-In)	Wi-Fi Compatible, IEEE 802.11b/g/n (2.4 GHz band), View on Smartphone, Remote control via Smartphone, Send to Computer, View on TV	Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4 GHz band/5 GHz band))
Bluetooth	Yes (Bluetooth Standard Ver. 4.1 (2.4 GHz band))	Yes (Bluetooth Standard Ver. 4.2 (2.4 GHz band))
HD Output	HDMI micro connector (Type-D), BRAVIA Sync(Control for HDMI), PhotoTV HD, 4K movie output/4K still image PB
HDMI Output		HDMI micro connector (Type-D),3840 x 2160 (59.94p / 50p / 29.97p / 25p / 23.98p) / 1920 x 1080 (59.94p / 50p / 23.98p) / 1920 x 1080 (59.94i / 50i), YCbCr 4:2:2 10bit / RGB 8bit
Multi Interface Shoe	Yes	Yes
MIC Terminal	Yes (3.5 mm Stereo minijack)	Yes (3.5 mm Stereo minijack)
Remote Control (wireless)	Yes via smartphone	Yes via smartphone
Headphone Terminal	No	Yes (3.5 mm Stereo minijack)
Vertical Grip Connector	No	No
PC Remote	Yes	Yes

Audio

	Sony A6400	Sony A6700
Microphone	Built-in, stereo	Built-in, stereo
Speaker	Built-in, monaural	Built-in, monaural

Print

Sony A6400	Sony A6700
Exif Print, Print Image Matching III, DPOF setting

Custom Functions

Sony A6400	Sony A6700
Custom key settings, Programmable Setting (Body 3 sets / memory card 4 sets), My Menu, My Dial, Reg Cust Shoot Set

Lens Compensation

Sony A6400	Sony A6700
Peripheral Shading, Chromatic Aberration, Distortion	Shading, Chromatic Aberration, Distortion, Breathing (Movie)

Power

	Sony A6400	Sony A6700
Supplied Battery	One rechargeable battery pack NP-FW50	One rechargeable battery pack NP-FZ100
Battery Life (Still Images)	Approx. 360 shots (Viewfinder) / Approx. 410 shots (LCD monitor) (CIPA standard)	Approx. 550 shots (Viewfinder) / Approx. 570 shots (LCD monitor) (CIPA standard)
Battery Life (Movie Actual Recording)	Approx. 70 min (Viewfinder) / Approx. 75 min (LCD monitor) (CIPA standard)	Approx. 95 min (Viewfinder) / Approx. 100 min (LCD monitor) (CIPA standard)
Battery Life (Movie Continuous Recording)	Approx. 125 min (Viewfinder)/Approx. 125 min (LCD monitor) (CIPA standard)	Approx. 190 min (Viewfinder) / Approx. 185 min (LCD monitor) (CIPA standard)
Internal Battery Charge	Yes	Yes
Power Consumption with Viewfinder	Still images: approx. 2.4 W (with E PZ 16-50 mm F3.5-5.6 OSS lens attached), Movies: approx. 3.5 W (with E PZ 16-50 mm F3.5-5.6 OSS lens attached)	Still images: Approx. 3.6 W (with E PZ 16-50mm F3.5-5.6 OSS lens attached),Movies: Approx. 5.2 W (with E PZ 16-50mm F3.5-5.6 OSS lens attached)
Power Consumption with LCD	Still images: approx. 2.1 W (with E PZ 16-50 mm F3.5-5.6 OSS lens attached), Movies: approx. 3.5 W (with E PZ 16-50 mm F3.5-5.6 OSS lens attached)	Still images: Approx. 3.5 W (with E PZ 16-50mm F3.5-5.6 OSS lens attached),Movies: Approx. 5.3 W (with E PZ 16-50mm F3.5-5.6 OSS lens attached)
USB Power Supply	Yes	Yes

Operating Temperature

Sony A6400	Sony A6700
32 – 104 degrees F / 0 – 40 degrees C	0 – 40 ℃ / 32 – 104 °F

Size & Weight

	Sony A6400	Sony A6700
Weight With battery & Memory Card	Approx. 14.3 oz / Approx. 403 g	Approx. 493 g / Approx. 1 lb 1.4 oz
Dimensions (W x H x D)	Approx. 120.0 mm x 66.9 mm x 59.7 mm, Approx. 120.0 mm x 66.9 mm x 49.9 mm (from grip to monitor)/Approx. 4 3/4” x 2 3/4” x 2 3/8”, Approx. 4 3/4” x 2 3/4” x 2” (from grip to monitor)	Approx. 122.0 x 69.0 x 75.1 mm, Approx. 122.0 x 69.0 x 63.6 mm (from grip to monitor)/Approx. 4 7/8 x 2 3/4 x 3 inches, Approx. 4 7/8 x 2 3/4 x 2 5/8 inches (from grip to monitor)